narrative design

36 articles

Lore! What is it good for?

  • Edwin McRae

Lore! What is it good for? Absolutely nothing... unless it's important to gameplay or characters.

How to break into the games industry as a writer

  • Edwin McRae

Veteran game writer and narrative designer, Rudolf Buirma, offers advice to writers who want to work in the video games industry.

Building game worlds for indies - Stimulation versus Imagination

  • Edwin McRae

We explore the stimulation - imagination continuum of player engagement and look at how indie game devs can strike a balance between the two.

Writer learning Unity game engine - Initial Impressions

  • Edwin McRae

Edwin embarks on his learning Unity journey with Future Games.

Treating the Player with Respect!

  • Edwin McRae

Why you should never 'dumb down' your game narrative.

What you Like versus What Works in narrative design

  • Edwin McRae

A warning about game writing based on what you 'Like' versus what's actually going to work for the player.

How to keep your game protagonist consistent with player expectation

  • Edwin McRae

Narrative Designer, Tim Schuchert, suggests some methods for how you can maintain consistency when designing your game’s protagonist and avoid those damaging moments where a protagonist acts in a way that makes no sense to the player.

How to choose the right protagonist for your game

  • Edwin McRae

Narrative Designer, Tim Schuchert, explains the different types of video game protagonist and how choosing the right one is vital to your player's experience.

How do you get Narrative Design gigs?

  • Edwin McRae

Marketing yourself as a freelance narrative designer for video games.

How much does a Narrative Designer for video games earn?

  • Edwin McRae

The financial facts of freelance narrative design laid bare.

Industry Idiots Presents: Narrative Design and Writing Games with Edwin McRae

  • Edwin McRae

We talk about the profession, working remotely, and integrating writers into your team. Enjoy!

Banter between cards in CCGs

  • Edwin McRae

How we could use procedural narrative design in digital collectible card games to create dynamic character banter?

Pace in Video Game Narratives

  • Edwin McRae

How to consider Pace in a video game narrative when you're creating a story-driven game... and when you're not.

Character Growth vs Player Growth in RPGs

  • Edwin McRae

You've put 200 hundred hours into that RPG and now your character is amazing. But have you, the gamer, become amazing too?

Edwin McRae on the Game Dev Advice Podcast

  • Edwin McRae

A 40 min interview about narrative design for video games with JP Podlasek, host of the Game Dev Advice podcast.

Where procedural narrative needs to go next

  • Edwin McRae

The systems are in place. Now storytellers need to step in and turn those procedurally generated facts into powerfully expressed fictions.

Do you want to write for video games? (Updated Dec 2020)

  • Edwin McRae

For writers, the games industry is a much friendlier and more welcoming place now than it was ten years ago. It’s also a much bigger industry than it was ten years ago, meaning there are so many more games in need of stories and writing.

What's the difference between Procedural Narrative and Emergent Narrative?

  • Edwin McRae

These are my working definitions for Procedural and Emergent, what I use when creating game narratives for my clients.

'Just One More' design in Assassin's Creed Odyssey

  • Edwin McRae

I rage-deleted Assassin's Creed: Odyssey yesterday and now I'm going to tell you why.

Designing Believable LitRPG Mechanics

  • Edwin McRae

When I read LitRPG, I’m there for the story. Yes, the mechanics are a vital part of the story in any LitRPG, but they should never overwhelm the plot or characters. The key to getting the right balance between Story and Mechanics in LitRPG is SIMPLICITY. Read on and I'll explain why.

How to read LitRPG like an ARPG designer

  • Edwin McRae

I’m Edwin McRae, former lead writer of Path of Exile and author of Warlock: Reign of Blood - A LitRPG Novel. Below I outline three RPG narrative design techniques that you can be watching out for when you read your next LitRPG novel. NPC design, Story Glyphs and Boss fight buildup.

What is the difference between a game writer and a writer of films or books?

  • Edwin McRae

In a short interview with Liliana Marin of UHCL, Edwin McRae how writing for games differs from writing for films or books.

What is a Narrative Designer? (Revised November 2019)

  • Edwin McRae

An explanation from Narrative Designer and Game Writer, Edwin McRae, of what Narrative Design is and what a Narrative Designer does.

Tips for writing a game trailer #1

  • Edwin McRae

Edwin reflects on his first trailer script for Path of Exile: The Duelist.

Edwin on The Game Design Roundtable

  • Edwin McRae

Harrison, Dirk and Edwin discuss the importance of the narrative line in game design and how it can keep game players engaged throughout a game with immersive details.

Story for Platformer Games: Visual Evolution

  • Edwin McRae

The fourth and final article in a series by Edwin McRae about how to festoon platformer games with story goodness. In this article we look at visual evolution, gradual changes to the PC's appearance that can be the direct result of the player's progress through the game.

Story for Platformer Games: Emotes

  • Edwin McRae

The third in a series of short articles by Edwin McRae about how to festoon platformer games with story goodness. In this article we look at Emotes, changes of physical expression or simple symbols that show how the player character is feeling in that moment.

Story for Platformer Games: Reactive Dialogue

  • Edwin McRae

The second in a series of short articles by Edwin McRae about how to festoon platformer games with story goodness. In this article we look at Reactive Dialogue, punchy jabs of dialogue that are triggered by the player's actions.

Story for Platformer Games: Introduction

  • Edwin McRae

A series of short articles by Edwin McRae about how to festoon platformer games with story goodness.

Procedural Narrative: The Future of Video Games

  • Edwin McRae

Bryan Cohen asked me "what role do you see procedural and emergent narrative taking in the future"? A big role, if not the starring role. Let me explain.

Designing game environments that are rich with story

  • Edwin McRae

Your writer can ensure that your environmental visualisation process is steeped in story. Rich narrative that your artist can then mould into stunning eye candy.

Writing Tomes that your Player will Read

  • Edwin McRae

Players will read, and it's still one of the the cheapest and most efficient ways of delivering story within your Indie game. Tomes are those pieces of text that a player can read in the quiet moments of your game. But they need to be done well and they need to be done right!

Writing Flavour Text for your Game

  • Edwin McRae

Flavour text is flavoursome. It’s there to whet your player’s appetite and make them hungry to understand your game world. Be sure it’s on the menu and please make it tasty! Here's some advice on how to tell a lot of story with just a few, flavourful lines.

Designing narratives for games: An interview for Classically Trained

  • Edwin McRae

An interview with Jon Harrison of classiclytrained.net where I give some of my perspectives on designing stories for games.

Boss Fight Story

  • Edwin McRae

Edwin McRae, Narrative Designer and Game Writer, talks about how you can make a game story out of a basic series of boss fights.

Losing the Plot with Game Narrative

  • Edwin McRae

An article by Narrative Designer, Edwin McRae, addressing why a game writer needs to clearly understand the difference between Plot and Narrative.